The optical design of Zenitar-M 50 / 1.7 repeats the design of the Ultron from the German optician Albrecht Tronnier.
Specifications Zenitar-M 50 1.7:
Lens for SLR cameras.
- Focal length - 50 mm.
- The maximum open aperture is 1.7.
- Closed - 16.
- The angle of view is 46 degrees.
- The number of lenses / groups is 6/5.
- Jumping aperture, switchable.
- Aperture repeater - M / A.
- The number of aperture blades is 6.
- Near focusing aisle - 0.45 m.
- Resolution center / edge - 43/24 lines / mm.
- The thread for light filters is М52х0.75.
- The type of enlightenment - unknown (from the official source) ... - in fact, one-layer.
- Mount to the camera - threaded M42.
The barrel of the lens repeats the body of Helios-44 M - a combination of metal and glass. The fit is excellent. The only obscure thing is that all the screws and stoppers are not pressed to the stop. Because of this, over time and intensive use, the focusing ring may play. Some specimens wash due to the fact that one lens is loosely twisted with a retaining ring - accompanied by a specific sound of glass rattling. Not to be confused with the slight clatter of the diaphragm mechanics.
Focusing is smooth and tight. From the minimum focusing distance of 0.45m to infinity, you need to rotate 265 degrees, it takes about three interceptions. In combination with a tight move, there is no need to talk about operational refocusing.
The stroke of the diaphragm setting ring is stepped with clear clicks. The aperture step is indicated by the corresponding value.
The diaphragm has 6 blades, matte but not blackened. Re-reflections from the diaphragm are not frequent, but they do occur. The push-down bouncing diaphragm almost exactly fulfills the set values. Over time, the diaphragm return springs weaken and need to be replaced. Or, as a temporary measure, the spring is thrown over a couple of turns for greater elasticity.
Just like the Helios-44M, the zenitar has a diaphragm repeater. When used on digital SLR cameras, it becomes possible to aim at open in tutor mode "A". At the right moment when photographing, the repeater is instantly switched with fingers to the “M” mode and the diaphragm closes to the preset value.
How does it work on digital cameras?
We set the required aperture value in advance, for example, we need not a lot, not a little, but just 5.6.
We set the position of the repeater "A" - the diaphragm will open.
We focus on the open.
At the moment of photographing, we transfer the repeater to the M mode. - the diaphragm will close to the preset value 5.6.
There is one more small plus - there is no need to block the leash in the clamped position of the diaphragm in order for the diaphragm to work on digital.
At the set aperture values from 2.0 to 2.8, the blades form a saw frame.
From 4.0 to 16, a hexagon can be observed.
It is generally accepted that the antireflection coating on glasses is single-layer.
It resembles the lenses of the Takumar series of the 70s by the color of the coating. From the official source it is generally said that the type of enlightenment is unknown: Type of enlightenment: no data.
Threaded connection М42 allows you to install Zenitar-M 1,7 / 50 while maintaining infinity through an adapter for SLR cameras Pentax, Sony, Canon, Olympus. Alas, it is impossible to mount Zenitar-m 1.7 50 on Nikon-F using a lensless adapter while maintaining focus at infinity. For normal operation, the lens can be altered and adjusted to fit the Nikon flange.
Picture, artistic qualities:
Zenitar-M with an open one is very sharp, only at the edges of the detail is reduced. When closed already with F 2.8, excellent sharpness in the center and around the edges is already good.
Exposure: 1/125, aperture 1.7, focusing distance 0.45.
Exposure: 1/400, aperture 2.8, focusing distance ≈ 0.8 meters.
Exposure: 1/100, aperture 1.7, focusing distance 1 meter.
Exposure: 1/640, also at 1.7. the sun in the lens from the side, Blanda on the lens.
Contrast and sharp at the same time with the open. On covered, between 2.8 and 4.0 cuts across the entire field. Contrast drops when there is a bright light source in the frame. In the case when light rays enter the lens at an acute angle, the contrast drops insignificantly. But if the subject of the shooting requires a bright light source to be present in the frame, the sun behind the model's back, then the contrast drops noticeably in the open one. It is worth noting that starting from aperture of 2.8, the contrast increases to acceptable. This is given the difficult task of using direct backlighting in the frame. In such cases, using a lens hood can be more than helpful.
For portraits of the lens sharpness with excess, all flaws and imperfections of the skin come out
On the open, I had to turn down the sharpness.
At 4.0, the sunrise behind the back, pulled the contrast and colors.
I would like to emphasize the bokeh that the lens draws. It is similar to modern lenses without twisting the blur area. Subjectively, it washes the background in the open, not "in the trash" like MC Helios-77m-4, it is quite possible to understand what is there. And without twisting by itself.
On closed diaphragms in the background instead of circles, "Nuts" come out - the lack of petals affects.
There is a place to be, where without them on high-aperture lenses.
On the branch in the upper left corner ...
It is possible to hide them during post processing. But in rare cases, chromatism is too obvious and stands out, it is difficult to hide.
on the open, the number of lenses can be calculated by the number of hares.
by 2.8, hares come out in the form of nuts.
Weak enlightenment affects, although hares were specially caught in this experiment. In a normal situation, with a hood (I repeat) it is difficult to catch a hare.
For the Zenitar-m 50 1.7 lens, they ask on average $ 20-50, depending on the condition and greed of the seller.
As a result, we have the following advantages:
- fast 50 mm lens
- with excellent sharpness in the center at open aperture.
- And excellent sharpness on hidden values.
- Contrasting, perfectly works out shadows.
- There is a diaphragm repeater on board.
- Mount the optics to the M42 camera. Which is great for Canon and Pentax SLRs.
- Doesn't like backlight. Blanda saves in most cases.
- Paired with a Nikon system, there won't be infinity. although you can work here too.
Zenitar-M is a plastic high-aperture lens with characteristics not worse than those of the Japanese Takumar, but alas without multilayer enlightenment. 1. The domestic competitor is a rarer MC Helios-77m-4, but it has a different price tag. Choosing from two I preferred the Zenith for its predictability, sharpness and the complete Zenit-19 camera.